I have created a movie and series that is enough to remember when cable TV will arrive and to write about the death of network TV. News Flash: Broadcasting TV is still powerful. I remember when the home video arrived and was trying to kill the theater feature film business. News Flash: There is still a theatrical functional business.
The latest “aliens have landed in the Glover Factory” are a tragic shouting of the blurist’s film creator using AI, enhancing the performance of Adrian Brody and Fel City Jones Hungary Language Language. We are puzzled again to focus on the wrong target again.
Squabble is mainly focused on broken editors to operate a specific vowel when Brody and JONES use the “Respeeher” software to speak the character’s native language. In the current issue of Vanity Fair, this article about BROUHAHA quotes viral social media posts. It hid AI in the part … “
Why isn’t this much controversy even for dinner chatter? We have done the same thing as long as we remember the sweets, the editing room of the sound, and the mixing stage.
My producer began in the late 1980s, creating and coaching more than 80 movies and television episodes. As long as I participated in the business, we did small things to strengthen voice performance. For example, an actor offers perfect reading in the scene of TAKE 3, but if a microphone, car horn, or loud noise masking the words, will you go to the second best take? If you can avoid it. If you use Pro Tools software that replaces the time spent in Sound Edit Suite, you can only grab that word from another take and incorporate it into TAKE THREE. Save the best performance.
When the actor stands at the end of the expressway and cannot hear a word, we replace it with ADR (replacing additional dialogs) and replace the previous analog version “loop”. I did it. Some actors even ask for ADR for a specific scene with a perfect sound recording to improve performance. Donald Sutherland was a big fan of Loop and said he had learned how to strengthen performance other than Casanova Federico Ferini.
There are more ways to strengthen dialogue. In one movie, the actor’s speech had to deal with Sibility. The mixer has changed the dialog with a special phenomenon using a special plug -in filter called “Daers”. It’s not AI, but it’s digital modification of vocal performance.
We make these very small adjustments in all movies and do not look at anyone.
I mainly work in a TV movie business. There, as in the case of brutal people, we are trying to make the movie perfect, despite having a very low budget and short shooting schedule. It is said that the brutal person had a budget of only $ 10 million, and in some cases, along with a movie made 10 or 15 times, it is nominated for the best photo of Oscar.
As a film creator, we want to use available tools and reduce compromises.
The last movie I directed was held in Texas. I shot it in Vancouver. We made it work. I was able to shoot efficiently. I knew that it was comfortable if I needed a close -up with a 4K image and missed it. You can blast two shots and find a close -up. I know that if you look at the Canadian flag in the middle of the shot and arrive at the edit room, you can easily delete it using an affordable CGI. Are these digital tool reduced or cheaper? I will discuss on the contrary.
This does not mean that I do not sympathize with the dangers of AI, which owns 45 film libraries. Can I grab AI from my library to create something “new” for someone else without compensation for me? Of course it is different. I would like you to start creating a movie, series, or other original content without credit and paying the dozens of information sources (or thousands or several million?) Mentioned in AI. mosquito? It is difficult.
I was in the mixing stage when I found that in another movie I recently directed, I found that the loop group had forgotten to record two words among the two characters in the corridor. It wasn’t a big deal, but there was an unnecessary hole in the dialog truck. In all other previous film instances, call the Lupl? And ask them to swing and add them. When the lead mixer said, “Wait, I got you,” I was preparing to do it. Just a few seconds later, he played the scene and had a dialogue as if the Loop Group did it. “Where did you find it?!” I asked. “I didn’t do it. It’s AI software. I can make my voice lower, higher or more ethically -whatever you want.”
At 11 o’clock at 11 o’clock at the dark mixed stage, I saw everyone’s horror. This AI allows you to easily replace the loop group. A real performer. Real work. There are many friends of actors who pass through the background rules group work. We all should be legitimate and fight to help the loops survive.
But don’t understand the details of our process and don’t scream from bystanders. It is not a threat to use AI as a tool to replace the process that has already been executed for decades. Therefore, this noise around the brutal area does not reduce the number of great movies from talented filmmakers.
